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criticism

Reuters Institute for the Study of Journalism

Digital News Report 2023. Episode 2: Sources and drivers of news media criticism

In this episode of our #DNR23 podcast we look at how people say they encounter criticism of the news media, who’s saying it and where, critical differences between countries and how age plays a part.
TORCH | The Oxford Research Centre in the Humanities

Postcolonial Poetics: A Book at Lunchtime

A Book at Lunchtime seminar with Elleke Boehmer, author of Postcolonial Poetics, joined by Dr Malachi McIntosh, Professor Ben Morgan, Professor Richard Drayton and Professor Robert Young (chair).
Journey of a Molecular Detective; David Sherratt

Literature Beyond Literary Studies: Intermediality and Interdisciplinarity

With Professor Ben Morgan (Professor of German) and Peter Hill (Junior Research Fellow in Arabic Literature, Christ Church College), chaired by Karoline Watroba (DPhil candidate in German and Comparative Criticism).
Cosmopolis and Beyond: Literary Cosmopolitanism after the Republic of Letters

Who are (or were) the Cosmopolitans? Thoughts from multilingual India

Who are (or were) the Cosmopolitans? Thoughts from multilingual India
Journey of a Molecular Detective; David Sherratt

Fiction and Other Minds

Peter Garratt (Durham): ‘Mind Bloat and The Lifted Veil’ Helen Small (English/Oxford): 'On the Verification of Mental Experience'. Chaired by Ben Morgan.
Approaching Shakespeare

The Merchant of Venice

This lecture on The Merchant of Venice discusses the ways the play's personal relationships are shaped by models of financial transaction, using the casket scenes as a central example.
Approaching Shakespeare

Taming of the Shrew

Emma Smith uses evidence of early reception and from more recent productions to discuss the question of whether Katherine is tamed at the end of the play.
Approaching Shakespeare

A Midsummer Night's Dream

This lecture on A Midsummer Night's Dream uses modern and early modern understandings of dreams to uncover a play less concerned with marriage and more with sexual desire.
Approaching Shakespeare

Much Ado About Nothing

Emma Smith asks why the characters are so quick to believe the self-proclaimed villain Don John, drawing on gender and performance criticism to think about male bonding, the genre of comedy, and the impulses of modern performance.
Approaching Shakespeare

Hamlet

The fact that father and son share the same name in Hamlet is used to investigate the play's nostalgia, drawing on biographical criticism and the religious and political history of early modern England.
Approaching Shakespeare

As You Like It

Asking 'what happens in As You Like It', this lecture considers the play's dramatic structure and its ambiguous use of pastoral, drawing on performance history, genre theory, and eco-critical approaches.
Approaching Shakespeare

King Lear

Showing how generations of critics - and Shakespeare himself - have rewritten the ending of King Lear, this sixteenth Approaching Shakespeare lecture engages with the question of tragedy and why it gives pleasure.
Approaching Shakespeare

King John

At the heart of King John is the death of his rival Arthur: this fifteenth lecture in the Approaching Shakespeare series looks at the ways history and legitimacy are complicated in this plotline.
Approaching Shakespeare

Pericles, Prince of Tyre

Pericles has been on the margins of the Shakespearean canon: this fourteenth lecture in the Approaching Shakespeare series shows some of its self-conscious artistry and contemporary popularity.
Approaching Shakespeare

Richard III

In this thirteenth lecture in the Approaching Shakespeare series the focus is on the inevitability of the ending of Richard III: does the play endorse Richmond's final victory?
Approaching Shakespeare

The Comedy of Errors

Lecture 12 in the Approaching Shakespeare series asks how seriously we can take the farcical exploits of Comedy of Errors, drawing out the play's serious concerns with identity and selfhood.
Approaching Shakespeare

Henry IV part 1

Like generations of theatre-goers, this lecture concentrates on the (large) figure of Sir John Falstaff and investigates his role in Henry IV part 1. Lecture 11 in the Approaching Shakespeare series.
Approaching Shakespeare

The Tempest

That the character of Prospero is a Shakespearean self-portrait is a common reading of The Tempest: this tenth Approaching Shakespeare lecture asks whether that is a useful reading of the play.
Approaching Shakespeare

Antony and Cleopatra

What kind of tragedy is this play, with its two central figures rather than a singular hero? The ninth lecture in the Approaching Shakespeare series tries to find out.
Approaching Shakespeare

Twelfth Night

The seventh Approaching Shakespeare lecture takes a minor character in Twelfth Night - Antonio - and uses his presence to open up questions of sexuality, desire and the nature of romantic comedy.

Pagination

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