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theatre

# Episode Title Description People Date
101 Creative Commons Henry IV part 1 Like generations of theatre-goers, this lecture concentrates on the (large) figure of Sir John Falstaff and investigates his role in Henry IV part 1. Lecture 11 in the Approaching Shakespeare series. Emma Smith 16 Nov 2011
102 Creative Commons The Tempest. ePub version of text THE TEMPEST. / Shakespeare, William, 1564-1616. William Shakespeare 14 Nov 2011
103 Creative Commons The Tempest That the character of Prospero is a Shakespearean self-portrait is a common reading of The Tempest: this tenth Approaching Shakespeare lecture asks whether that is a useful reading of the play. Emma Smith 14 Nov 2011
104 Creative Commons The Tragedie Of Anthonie, and Cleopatra. ePub version of text THE TRAGEDIE OF Anthonie, and Cleopatra. / Shakespeare, William, 1564-1616. William Shakespeare 10 Nov 2011
105 Creative Commons Antony and Cleopatra What kind of tragedy is this play, with its two central figures rather than a singular hero? The ninth lecture in the Approaching Shakespeare series tries to find out. Emma Smith 10 Nov 2011
106 Creative Commons Twelfe Night, Or what you will. ePub version of text Twelfe Night, Or what you will. / Shakespeare, William, 1564-1616. William Shakespeare 20 Oct 2011
107 Creative Commons Twelfth Night The seventh Approaching Shakespeare lecture takes a minor character in Twelfth Night - Antonio - and uses his presence to open up questions of sexuality, desire and the nature of romantic comedy. Emma Smith 20 Oct 2011
108 Creative Commons The Lamentable Tragedy of Titus Andronicus. ePub version of text The Lamentable Tragedy of Titus Andronicus / Shakespeare, William, 1564-1616. William Shakespeare 19 Oct 2011
109 Creative Commons Titus Andronicus Focusing in detail on one particular scene, and on critical responses to it, this sixth Approaching Shakespeare lecture on Titus Andronicus deals with violence, rhetoric, and the nature of dramatic sensationalism. Emma Smith 19 Oct 2011
110 Creative Commons If marriage is a trade, then what price romance? Theatre was a forum for early twentieth-century feminists to challenge romantic ideals of marriage, arguing against society blocking women's access to alternative professions. Did one playwright solve the problem of selling seats without selling out? Sol Eltis 15 Feb 2011
111 Creative Commons The Winters Tale. ePub version of text The Winter's Tale. / Shakespeare, William, 1564-1616. William Shakespeare 09 Nov 2010
112 Creative Commons The Winter's Tale How we can make sense of a play that veers from tragedy to comedy and stretches credulity in its conclusion? That's the topic for this fifth Approaching Shakespeare lecture on The Winter's Tale. Emma Smith 09 Nov 2010
113 Creative Commons The Tragedie Of Macbeth. ePub version of text THE TRAGEDIE OF MACBETH. / Shakespeare, William, 1564-1616. William Shakespeare 02 Nov 2010
114 Creative Commons Macbeth In this fourth Approaching Shakespeare lecture the question is one of agency: who or what makes happen the things that happen in Macbeth? Emma Smith 02 Nov 2010
115 Creative Commons Measvre, For Measure. ePub version of text MEASVRE, For Measure. / Shakespeare, William, 1564-1616. William Shakespeare 27 Oct 2010
116 Creative Commons Measure for Measure The third Approaching Shakespeare lecture, on Measure for Measure, focuses on the vexed question of this uncomic comedy's genre. Emma Smith 27 Oct 2010
117 Creative Commons The Life of Henry the Fift. ePub version of text The Life of Henry the Fifth. / Shakespeare, William, 1564-1616. William Shakespeare 20 Oct 2010
118 Creative Commons Henry V The second lecture in the Approaching Shakespeare series looks at King Henry V, and asks whether his presentation in the play is entirely positive. Emma Smith 20 Oct 2010
119 Creative Commons The Tragedie Of Othello, the Moore of Venice. ePub version of text THE TRAGEDIE OF Othello, the Moore of Venice. / Shakespeare, William, 1564-1616. William Shakespeare 18 Oct 2010
120 Creative Commons Othello First in Emma Smith's Approaching Shakespeare lecture series; looking at the central question of race and its significance in the play. Emma Smith 18 Oct 2010
121 Creative Commons Who Translates and for Whom? Fourth part of the What is Translation Podcast series. In this part, the question of who is best placed to translate classic texts; academics, poets, dramatists and who is best placed to receive the translation, students, scholars or the general public. Oliver Taplin, Lorna Hardwick 27 Jul 2010
122 Creative Commons Can Poetry be Translated? Third part of the What is Translation podcast series. In this part, the question of whether poetry be translated. Is there something within the original that is lost in the translation? Oliver Taplin, Lorna Hardwick 27 Jul 2010
123 Creative Commons Is there ever a Faithful Translation? Second part of the What is Translation podcast series. In this part, the question of whether there can be a faithful translation; does the act of translating a text change the meaning of the original is discussed. Oliver Taplin, Lorna Hardwick 27 Jul 2010
124 Creative Commons Does Tragedy Teach? Third dialogue on the nature of tragedy where they talk about whether tragic theatre teaches people, and if it does, how and what does it teach? Oliver Taplin, Joshua Billings 01 Mar 2010
125 Creative Commons What does Tragedy do for People? A discussion of what the use of tragedy is, and whether the emotional experience of tragic theatre is simply a passing thrill or a vital part of life. Oliver Taplin, Joshua Billings 01 Mar 2010
126 Creative Commons Defining Tragedy First dialogue between Oliver Taplin and Joshua Billings on tragedy: they discuss what 'tragedy' means, from its origins in Greek culture to philosophical notions of what tragedy and tragic drama are. Oliver Taplin, Joshua Billings 01 Mar 2010
127 Creative Commons Adapting Greek Tragedy Fiona Macintosh talks with distinguished playwright Frank McGuinness about his work in adapting Greek tragedies for modern theatre, particularly Antigone and The Medea. Fiona Macintosh, Frank McGuinness 28 Jan 2010
128 Creative Commons The Duchess of Malfi The Duchess of Malfi / Webster, John, 1580?-1625. This is the epub edition of the play. John Webster 24 Nov 2009
129 Creative Commons The Duchess of Malfi: John Webster In dramatizing a woman's sexual choices in a notably sympathetic manner, this tragedy articulates perennial questions about female autonomy and class distinction. Emma Smith 24 Nov 2009
130 Creative Commons The Roaring Girl or Moll Cutpurse The Roaring Girl or Moll Cutpurse / Thomas Dekker and Thomas Middleton. This is the epub edition of the play. Thomas Middleton, Thomas Dekker 13 Nov 2009
131 Creative Commons The Roaring Girl: Thomas Middleton and Thomas Dekker Based on a contemporary scandal of a woman who dressed in male clothing, this play of topsy-turvy genders has fun with some very modern ideas about sexuality, identity and whether we are what we wear. Emma Smith 13 Nov 2009
132 Creative Commons The revenger's tragedy The revenger's tragedy / Middleton, Thomas, 1580-1627. This is the epub edition of the play. Thomas Middleton 06 Nov 2009
133 Creative Commons The Revenger's Tragedy: Thomas Middleton A blackly camp tragedy - Hamlet without the narcissism - set in a court corrupted by lust and self-interest, this play is both fascinated and repelled by its own depravity. Emma Smith 06 Nov 2009
134 Creative Commons The Shoemaker's Holiday: Thomas Dekker Like a Busby Berkeley depression-era musical, Dekker's comedy is a feel-good antidote to a context of shortages, political malaise and general pessimism, but real life in the shape of war, class antagonism and civic tensions, always threatens to intrude. Emma Smith 06 Nov 2009
135 Creative Commons The shoemaker's holiday The shoemakers' holiday / Dekker, Thomas, ca. 1572-1632. This is the epub version of the play. Thomas Dekker 05 Nov 2009
136 Creative Commons Arden of Feversham Arden of Feversham / Unknown. This is the epub edition of the play. Anonymous 05 Nov 2009
137 Creative Commons Arden of Faversham: Anon A true crime story of the murder of Thomas Arden by his wife and her lover, this play is concerned with the politics of the household, with gender roles within marriage, and presents a black comedy of botched murder attempts rather like The Ladykillers. Emma Smith 05 Nov 2009
138 Creative Commons The Spanish tragedie The Spanish tragedie / Kyd, Thomas, 1558-1594. This is the epub edition of the play. Thomas Kyd 05 Nov 2009
139 Creative Commons The Spanish Tragedy: Thomas Kyd Popular tragedy in which Hieronimo pursues aristocratic murderers of his son Horatio and takes revenge. It speaks, like Hollywood Westerns, to questions about private revenge versus public justice, and to the vexed religious questions of its age. Emma Smith 05 Nov 2009
140 Creative Commons Oliver Taplin on Classics Professor Oliver Taplin, an authority on classics and the performance of ancient drama, talks about the subject and his research. Oliver Taplin, Oliver Lewis 12 Sep 2008